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The Magical History of Grimoires

October 18, 2024
/
Literature
Nesha Ruther
Writer at Bond & Grace

October is, as everyone knows, the season of the witch and every good witch needs a grimoire. These haunted old books are littered across our literature and media: wrinkled parchment and leather-bound pages, mysterious runes, and a scribbled hand. From Buffy the Vampire Slayer to Practical Magic to The All Souls Trilogy, grimoires have become a canonical part of our culture’s conception of the spooky and supernatural. And while the books of witchcraft are well-represented in media, far less is known about their real-life historical origins, and with it the real-life history of witchcraft and magic.

But before we get into the magical history of these extraordinary books, we need to establish what a grimoire actually is, because while all grimoires are magical books, not all magical books are grimoires. Historian, Owen Davies defines grimoires as “books of conjurations and charms, providing instructions on how to make magical objects and talismans. They are repositories of knowledge that arm people against evil spirits…heal their illnesses, fulfill their sexual desires, divine and alter their destiny, and much else besides.” While the purpose of the spells and charms present in grimoires varies, their key purpose is the ritual application of magic, essentially a guidebook for actively channeling magic in a specific way.

The term grimoire is believed to originate in the Italian word “rimario”, which refers to a book of rhymes or bible verses, but it could also come from the French “grammaire” which was used to describe any book written in Latin and therefore difficult to read. The spread of grimoires is a key indicator of the spread of occult knowledge, and both the interest and anxiety it provoked. The term grimoire didn’t apply to magical books until 18th century France and didn’t appear in English until the 19th century, coinciding with a spike in occult studies.

The history of grimoires can be used to track the history of magic because of the inherent desire to document and preserve what is culturally important. Davies writes, “Grimoires exist because of the desire to create a physical record of magical knowledge, reflecting concerns regarding the uncontrollable and oral transmission of valuable, secret, or sacred information.”

Like the history of occult practices more generally, grimoires came to Europe from the Middle East during the Middle Ages. The spread of occult information also coincided with the spread of religion, particularly Christianity and Islam. The Crusades in particular saw active European religious and military presence in the Middle East, leading to the intermixing of cultures, traditions, and yes, magic. 

In the Middle Ages, the lines between religion, science, and magic were profoundly nebulous. Grimoires could contain religious prayers as part of magical rituals, as well as early scientific insights. The first Grimoires were believed to have been written on papyrus sheets collected in the Nile Delta by 4th-century Egyptians..

For these early practitioners of magic, the act of writing was magical in and of itself. Some ancient grimoires used specific ink or animal blood to supplement the embedded power of the words. The idea of words carrying magical power is seen in the bible as well: The Old Testament includes instructions on writing a curse on paper and feeding it to a woman to see if she had committed adultery. If she had, her body would physically react to the power of the written word. During the Middle Ages in Europe, sacred words for health and healing were carved into bread and cheese to feed to the sick. Some ancient manuscripts even show signs of being doused in water so the ink would run, transmuting the power from the page, to the water, and into the body of whoever drank it.

The popularity of magical knowledge was widespread enough during the Inquisitions that the Church launched book-burning campaigns and coordinated witch hunts in France and Italy. In 1588 one Venetian bookseller was even drowned for selling books by the Roman philosopher Agrippa, which were perceived as occult.

In the late 16th century the Inquisition shifted gears to focus on moral crimes, particularly prostitution. Many prostitutes, in addition to illicit sexual behavior, were believed to trade in magic, particularly love spells, in order to attract clientele. This suspicion highlights the anxieties around women’s sexuality as well as anxieties over women’s literacy. Despite the fact that 87% of women at the time were illiterate, in 1600, one noted female love magician was described as chanting from “a big book with a black cover, filled with incantations and secrets.”

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If prostitutes seem unlikely practitioners of magic, even more surprising is soldiers. In the 1700s in Norway, Denmark, and Sweden, there were a series of trials over young soldiers who were convicted of trying to make pacts with the devil. Afraid of dying in battle, the young men would seek out magic spells and rituals to summon the devil and swear their fealty to him in exchange for safety. In Sweden, 29 soldiers were convicted of devil worship between 1680-1789. 

If the written word is its own kind of magic, nothing altered and amplified the magic of grimoires quite like the printing press. As it did for all kinds of written material, the printing press democratized magical knowledge, making it more widely accessible than ever before. Davies writes, “While print drained power from the grimoire in terms of magical integrity, it also empowered it through growing social influence.”

In the 1820s, with the spread of the British Empire and globalization, ancient grimoires were being translated for the first time in human history. Egypt was a particularly popular location for occultists seeking to discover and translate ancient magical texts. The first translations of Cuneiform led to the Western world’s discovery of a grimoire widely known as The Evil Spirits Text. This grimoire, originally written on Assyrian-Babylonian cuneiform tablets, described spells and exorcisms used to ward off ghosts, demons, devils, and even the plague. Shortly after it was translated into English and German, and today you can find versions of this legendary grimoire in the mind, body, and spirit section of many major bookstores. 

19th-century magical practices in England were closely linked to the study of “Egyptology” as well as the study of Tarot, Kabbalah (Jewish mysticism), and Rosicrucianism, a European spiritual movement that advocated for “a universal reformation of mankind” built on “esoteric truths from the past.” Many magical societies around these practices were formed, such as the Theological Society and the Hermetic Order of the Golden Dawn, which boasted hundreds of members at its height, including actress Florence Farr and Irish poet W.B Yeats. 

The Theological Society was founded in England in 1875. This hugely influential occult movement was co-founded by Helene Petrovna Blavatsky, a Russian immigrant who wrote and published widely on her magical practices. Blavatsky’s grimoires drew from Rosicrucianism and Kabbalah before she shifted gears to magical practices from India and Tibet. 

Another influential figure of the period was Eliphas Levi. Levi was the son of a Parisian shoemaker. He initially trained to become a Catholic priest, but after his mother’s suicide became a figurehead of the occult movement in Paris. He drew from Kabbalah and Tarot, while still incorporating some of his Catholic teachings into rituals. Because of his Catholicism, he strongly condemned black magic. Levi’s most influential work was a French translation of the famed grimoire The Greater Key of Solomon, a magical document attributed to King Solomon himself, although Levi went to great lengths to remove anything he perceived as black magic from the translation. 

By the turn of the century, the wave of interest in occultism had made its way across the Atlantic, to a less rapt but still interested American audience. It was enough for some states to pass anti-magic legislation, such as Massachusetts's prohibition against “any person who by palmistry, cards, or otherwise, for gain, tells or pretends to tell fortunes, predicts or pretends to predict future events, or who practices as a trade, profession, or occupation the discovering or pretending to discover to others, for gain, where things lost or stolen are to be found.” A definition of magic that goes to great and poorly written lengths to avoid saying magic. 

While the widespread interest in the occult would decrease with the Industrial Revolution and the onset of modern medicine, in back alleyways and shadowy corners, homes, and small businesses, the tradition of occult practices and old traditions carried on. Today, there are communities who use the internet to reconnect with their magical roots. From pagan mythology, to Jewish mysticism, to Tarot and horoscopes, the desire to channel that which lies beyond our human understanding carries on. In these spaces, you will no doubt find a grimoire or two, old and weathered, but still powerful and rich in secrets. 

To learn more read…

Davies, Owen, Grimoires: A History of Magic Books, Oxford University Press, March 26 2009. 

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